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17cm T x 13cm W x 21 cm L

I’m still coming down from my latest low fire reduction/sagger load. The level of stimulation/excitement/creative energy that I experience when unloading a firing like this last one is a bit overwhelming. This was the best of this type of firing that I have done to date in my Blaauw kiln. Those of you that have read my book, My Life as a Potter, will know that this form of experimentation was my main reason for buying the Blaauw. However , there was so much to learn about high fire reduction that my experiments took a back burner for a few years as I developed the tableware, but now that is done and I can turn my attention to what excites me the most, discovering new ways of firing in reduction.

Today I am going to start you out with showing you something that made my creative mind double in size 😁 This small chalice had been in my last raku firing, probably around 2018. It had a clear crackle glaze on the top and no glaze on the bottom. It was underwhelming when raku fired as I didn’t get enough carbonization on the bottom and no carbon in the lines of the crackle glaze. So, it sat, ever so often I would take it down off the shelf and ponder it, then back it would go. Then….finally the idea came to me, what about putting it in a small sagger packed with sawdust around it stopping where the top glazed collar began? Maybe then I would get the carbonization I was looking for on the bottom and, the big question, would I get carbonization in the lines of the crackle glaze? When I was packing the sawdust around it I decided to put a layer of seaweed at the top of the sawdust layer and finished it off with a light dusting of copper carbonate. Then the lid went on and into the kiln it went. In my prefiring photo it is in the small white pot that has another pot turned upside down to act as a lid, it was a fairly tight seal, by this I mean that there was oxygen getting in, but very little.

I am over the moon with how it turned out and all the possible roads this type of firing is going to take me down. As far as I know, no one has explored firing in this way, at least I haven’t heard anything about other people trying this. There were other test pieces in the firing that also held great promise, I look forward to showing them to you. We also did a video of me packing a sagger showing how I usually do it so that you could see the technique used for that.

The final hurrah came when I discovered that I had the perfect rock to mount this little gem in. Sarah Wilson was a great help both with packing the saggers and taking notes for me. This was her first such firing and I’m sure it was inspiring for her as well. She had two test pieces in the firing but I’ll let her tell you about those. Thanks to Patti for helping me find the rock, does anyone near to where I live know where I could find more rocks like this one? The colours are amazing.

Now, how am I going to keep myself from wearing myself out? This level of creative energy is a bit of a challenge for my body…but…I’ll take it.

 

 

As you are all too aware, living with M.E. blows big time. When Louise Sargent asked if I would write an article for M.E. Support, I wasn’t sure where to begin. I had just published a book about my life as a potter that delved into my experience of M.E. and didn’t want to repeat a lot of what was written there. I could hardly say no though, as I have a great deal of respect for Louise’s dedication to helping M.E. sufferers find their way through the myriad hardships this disease throws at you.

Where do you find hope when the life that you have known slips away and a new reality takes over? I recall all too well my frustration in the first decade of dealing with M.E. when I would hear of people who got better. I often thought either they didn’t have M.E. or they had a very mild version of it, as I didn’t know anyone with this disease who had recovered to their old self. Not a very uplifting thought to share with you, but it’s how I felt, and to be honest I still don’t believe that one ‘recovers’ from this disease. I believe that some of us are lucky enough to improve to the level where we can have a more ‘normal’ life and pass as healthy – as long as we live within our limitations.

So, how do you have hope when the years go by and you are increasingly isolated by the illness, and small improvements come so slowly? All I can offer as an answer is my own experience. I am sometimes still amazed to realize that at age 62, I have now lived more than half my life with this condition. Eventually acceptance starts to creep in and that is usually a turning point in adapting to a new reality.

My story with this disease is unusual as my wife, Heather, and I both became ill at the same time. It was 1989 and we were living in Vancouver, British Columbia. A few months later we were diagnosed at St. Paul’s Hospital with Myalgic Encephalomyelitis. Then the frantic search for what might help us began. Trips to different alternative health practitioners ensued as did trying different supplements they suggested, but nothing helped. Our life as we knew it was over.

Heather was much sicker than me; she had severe M.E. and was house/bedbound for 18 years before succumbing to the disease. I wasn’t as severely affected as Heather but still I was very ill and pretty much confined to the house for the first years. The whole experience was heart-breaking, and it would be five years before I slowly started working at pottery again part-time, while also caring for Heather.

I experienced slow improvements over the years, but sadly Heather’s suffering only increased and she died in 2007. Then my life changed again as I no longer had the constant demands of care giving while also trying to work. My health slowly started coming back to me and now I am one of those people who can ‘pass’.

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Heather Vaughan & Mary Fox

I know my story isn’t the easiest for you to read as my struggle has gone on for years and Heather didn’t make it, but still there is hope in it. Since Heather died, I have rebuilt my house where I have a Pottery Studio and Gallery that is open to the public. This has worked very well for me as I can sell the majority of my work from home and if I am having a flare or bad days, I can easily cut back on activities and rest more. I have learnt through the years that working to my energy level and not pushing it pays off big time, so when those nasty days come, I couch myself and wait for things to get easier again.

Years ago, before getting ill, I had the thought that one day I might write a book about my work. Little did I know then how M.E. would alter how my life unfolded. Writing the part of the book that dealt with this illness was gut-wrenching for me and almost stopped me from finishing the project. The last thing I wanted to do was relive those years by writing about them, and I was reticent about sharing this private part of my life with the world. But I am very glad I did, as many people have told me how inspiring they found my story.

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       ‘Beautiful vessels to enrich and inspire.’

When we are in the midst of hardship and suffering, it is challenging to keep going and believe in the possibility of joy and meaning, but believe we must. Heather was a remarkable example of this. Even though she experienced serious pain and many limitations, she still managed to be part of a writing group where the members supported each other’s creativity. When she couldn’t do that any more, she found small ways to be there for others, even if it was limited to being a listening ear for her home-care workers. I learned much from her – she was kind, gracious and loving, even though she suffered immensely. Without her guidance and strength, I would never have grown into the person I am today, and my book is, in many ways, a tribute to her.

I think of the many M.E. sufferers trying to make sense of what is happening to their bodies and figure out how to manage the realities of living with M.E. How to keep hope and carry on? This is an ongoing challenge for anyone living with disability, so pat yourself on the back for managing as well as you do and go easy on yourself. Life with M.E. is hard. But every moment of finding joy, meaning, or appreciation is a victory and every small improvement is a gift. I used to dream of the day when I could walk out of my front door without worrying about whether my legs would give out on me before I made it back home, and I haven’t had that thought for a long time now. Though my walks may be shorter than they were before the illness, I don’t have that underlying fear any more, and that is huge!

My book, Mary Fox: My Life as a Potter, Stories and Techniques, is published by Harbor Publishing and is available worldwide.

https://www.mesupport.co.uk/mary-fox

Chalice mounted in rock by Mary Fox 30.5 cm T, rock 27cm L

I gasped when my eyes fell upon this sandstone rock, I gently picked it up, mindful of its delicacy, the sweet curve of the rock, so beautiful. I carried it carefully back to my car all the while wondering what piece I would create for this rock that could evoke a similar feeling of grace, strength and fragility. It waited in my creation room for 2 years till the right chalice came along. This small 10” slipcast chalice is perfect for my precious rock, a marriage that complements as all marriages should.

So…I got this email the other day about a Ceramic competition at the Cultural Association Passepartout Faenza in Italy. At first I thought I was getting the email because I have a piece in the International Ceramic Museums collection but as I read further I realized that the focus on this years competition was Crawl Glazes. I saw they had a link to examples of crawl glaze work so thought I’d check it out and guess what….there was this piece of mine from 2012 as an example…cool. So the first photo here is the one they were showing and the next photo is the piece I am considering entering. One never knows what a week will bring….bemused fox that pots…

Update: I did enter the piece I was thinking about entering and I am happy to say it received Special Mention which includes a 1000.00 Euro award to take a course at the Arts centre in Faenza…nice!

Crawl Glaze Vessel, private collection

Collared Bowl by Mary Fox 9" W x 7" T
Collared Bowl by Mary Fox 9″ W x 7″ T

So, I did enter this piece and am happy to say that it was awarded one of the 3 special Mentions of the first edition of the “Ceramic&Colours Award 2016”.

I love getting pictures of my creations in their new homes and am grateful for all the pictures and stories about my work that, you, my collectors send me. Nothing starts my day out nicer than an email sharing a persons pleasure with my work and a picture of where my work now lives….Appreciative Fox that Pots….

A Beautiful Pairing
A Beautiful Pairing
Strawberries in a porcelain bowl
Strawberries in a porcelain bowl
Amphora
Amphora
Sheppard's Pie in a Peasant ware baker
Sheppard’s Pie in a Peasant ware baker